Wow, what a night. I mean..! Oh wow. Matthew Bourne's Dorian Gray. Tense, violent, arousing, grotesque, dark. So this morning I grabbed David's moley, and started scribbling.Who wants it now? Casey, Lindsay, Brian or Lorraine?
Vivien, it really does. On the back of the artwork she explains how she's re-worked a previous lino print... I won't say any more as she explains it all.
ther times I'll lay them flat on the carpet and let my eyes wander.
Vivien's work is so wonderful that I am privileged to premier her work in this exchange. In this Moley she's depicted a number of things; a feather, the coast, and trees. On the back of the pages is written "....the edges, where one thing becomes another, clearly defined or lost edges......"
Some areas are fine, some whispery, it looks like if you blew on it it'd float off the page.
Here is her close study of trees and bark. There are greys and purples and ochres in there, and I think she's scratched into it. I keep discovering things each time I open it up. It's just wonderful to see. In fact, I think this would look great tree-sized, maybe eight feet tall. It was hard to capture the texture and the subtlety of colours in this photo. In fact, Vivien's written to one side, so I'm wondering if it's meant to be viewed from the side? Maybe it's both, because both angles look great in the flesh so I've posted two photos for you to see and decide. These Moleys are damn tricky to photograph, don't you think? 